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from Paranormal wiki

An omen spirit from Ireland and Scotland that appears to people to warn them of impending violent and untimely death.

Celtic Death Messenger

The banshee tradition occurs throughout Ireland and nearby islands. The gaelic terms used most frequently to describe the banshee are the "bean-si" (a female dweller of a sidhe, or fairy mound), the "bean chaointe" (a female keener, a term found in east Munster and Connaught) and the "badhb" (referring to a more dangerous, frightening bogey). Although "bean-si" implies an Otherworld or fairy being, the banshee is a solitary creature without male counterpart who never partakes in communal human or fairie social enterprise. Speculation also links the banshee with the mystical race Tuatha De'Dannan, from whence the fairy folk are descended. There is little folk evidence to support Christian explanations that the banshee is a devil who wails for the souls that are lost to her as they ascend to heaven, or that they are familial guardian angels or souls of unbaptized children or even the souls of women who committed the sin of pride in life.

More likely the banshee should be thought of as the "spirit of the family", a spirit who attends to the family in a time of transition. The banshee is described as a wee woman with long white, blond or even auburn hair who appears in the vicinity of the birthplace of the soon to be deceased. When seen, she is wearing the clothes of a country woman, usually white, but sometimes grey, brown or red. Theformer hues represent the colors of mourning while red is associated with magic, fairies and the supernatural. In some accounts she is seen combing her hair as she laments. She is heard more often than seen, wailing as she approaches the abode in the late evening or early morning, sometimes perching on the windowsill two to three hours or even days before a death. As she moves off into the darkness witnesses describe a fluttering sound, such as the sound made by birds flying at night. Hence, the mistaken belief that banshees manifest as birds such as the crow. The inaccurate association with crows is probably due to confusion of the banshee with the primitive Celtic goddess Badb, the goddess of war who appeared frequently in the form of a crow.

Banshees also wail around natural forms such as trees, rivers, and stones. Wedge shaped rocks known as "banshee's chairs" are found in Waterford, Monaghan and Carlow. Although there have been reports of banshees accompanying Irish families who emigrated to the Americas, it appears the banshee more often grieves for an emigrant at the ancestral family seat in Ireland. Stories are told of the misfortune visited upon men who interfered with the banshee by taking her comb or challenging her. These tales point up the value of courteousness towards women, the avoidance of drink, violence and late hours.

from Wikipedia

The banshee (Template:IPA2) is a creature in Irish mythology, the word being derived from the Old Irish ben síde, modern Irish bean sídhe or bean sí, "fairy woman" (bean, woman, and sidhe, being the tuiseal ginideach or possessive case of "fairy"). The sídh are derived from pre-Christian Gaelic deities.

Long ago, when a citizen of an Irish village died, a woman would sing a traditional lament or modern Irish caoineadh (pronounced kweenyah) at their funeral. These women singers are sometimes referred to as "keeners". Traditionally, the banshee can only cry for five great Gaelic families: the O'Gradys, the O'Neills, the O'Briens, the O'Connors, and the Kavanaghs. These families had a fairy woman associated with them, who would make an appearance after a death in the family to sing this lament. Tales recount how, when the family member had died far away then the appearance or, in some tales, the sound of the fairy keener, might be the first intimation of the death.

When these oral narratives were first translated into English, a distinction between the "banshee" and other fairy folk was introduced which does not seem to exist in the original stories in their original (Irish or Scottish) Gaelic forms. Similarly, the funeral lament became a mournful cry or wail by which the death is heralded. In these tales, hearing the banshee's wail came to predict a death in the family and seeing the banshee portends one's own death.

Banshees are frequently dressed in white and often have long, fair hair which they brush with a silver comb, a detail scholar Patricia Lysaght attributes to confusion with local mermaid myths. This comb detail is also related to the centuries-old traditional romantic Irish story that, if you ever see a comb laying on the ground in Ireland, you must never pick it up, or the banshees, having placed it there to lure unsuspecting humans, will spirit such gullible humans away. Other stories portray banshees as dressed in green or black with a grey cloak.

Banshees were common in Irish and Scottish folk stories such as those written down by Herminie T. Kavanagh. They enjoy the same mythical status in Ireland as fairies and leprechauns. Seamus Finnigan in J. K. Rowling's Harry Potter and the Prisoner of Azkaban was afraid of banshees as the boggart turned into a banshee when in front of him


References

  • The Banshee: The Irish Death Messenger by Patricia Lysaght (1986, Roberts Rinehart Publishers ISBN 1-57098-138-8)
  • An Encyclopedia of Fairies by Katharine Briggs (1976, Pantheon Books ISBN 0-394-73467-X)
  • The Banshee by Josh Grant